One Person Protests: Exploring Social Movements Through the Humanities

Rozzell Medina
July 8, 2021

Rozzell Medina, who directs Portland's Clemente Course, Humanity in Perspective (HIP), shares a behind-the-scenes look at a class for program alumni offered last fall. The curriculum covered the history of social movements, weaving literature, art, and historical documents into a lively exploration. The final project asked students to consider what issues they are willing to stand up for, quite literally.


Fall 2020: In the thick of Covid-19, Oregon was also in the aftermath of historic fires and smoke exacerbated by human-made global warming, which affected the entire region. Additionally, while massive, ongoing protests that erupted after the murder of George Floyd were dwindling in Portland and other parts of the state, the movement was still very much on people’s minds and in their hearts.

In this tender and dynamic context, Oregon Humanities ’ Clemente Course, Humanity in Perspective (HIP), convened its fall bridge course: Exploring Social Movements through the Humanities.

For ten weeks, the HIP learning community studied the American Indian Movement (AIM), the Black Panthers, Black Lives Matter, the environmental movement, the disability justice movement, and more. We read parts of An Indigenous People’s History of the United States by Roxanne Dunbar-Ortiz, Black Against Empire by Joshua Bloom and Waldo E. Martin, and essays by John Trudell, Mia Mingus, and others. We also watched films like Agnes Varda’s excellent slice of life documentary The Black Panthers , Crip Camp , and Mossville: When Great Trees Fall.

Studying social movement is often bittersweet. Learning about the creative, spirited, and strategic ways that people have struggled, collaboratively, for survival, progress, rights, dignity, and liberation requires investigating the oppression that necessitates social movement.

We wanted to wrap up the course with a sense of lived experience and empowerment related to social movement, while also honoring the boundaries that some of us felt related to being around other people in public because of Covid-19. And so, for our final project, everyone in the class was invited to participate in the One Person Protest Project.

The parameters were fairly simple:

  • Make a protest poster, featuring an original message, about anything, recognizable as an existing social movement, or not.
  • Stand in public holding the sign (Things like what constituted an original message, “public,” etc. were left for each protestor to define for themselves.)
  • Ask someone to take a picture of you holding your sign
  • Write a pamphlet that could be given to passersby explaining more about the protest
  • Write or record a reflection describing what it was like to do the one person protest. Were you nervous? Bored? Was it fun? Did people react? What did you think about while you were protesting?

For one week in December, the HIP learning community took to parks, street corners, porch steps, and grocery store parking lots to demonstrate our care and concern for a variety of issues that felt urgent to us. Our causes included water, healing ourselves and the Earth, mental health care, the gender wage gap, and others. We also published a series containing everyone’s pamphlet for future distribution to the public.

In their reflections on participating, HIP students shared a variety of feelings and experiences. One student got her daughter involved, transforming theirs into a two person protest against the gender wage gap. Another, advocating for pollinator awareness and protection, dressed up to match her sign. This opened the door for ample conversations and engagement on her way to and from the farmer’s market, where she protested. One student, drawing attention to the fact that “WATER IS LIFE,” stood bravely by the entryway to her local grocery store with her sign, hoping to make particularly concrete the connection between water and daily choices.

A lot of students commented on feeling a mixture of nervousness, excitement, and inspiration. As one student, Luis Medina, who brilliantly framed mindfulness as a social movement, put it: “This experience made me realize that I need to do more things that make me uncomfortable. Why should spreading a good message and doing the right thing make me feel that way initially? I think I'm just beginning to break out of my shell.”


By Taylor Sims April 28, 2026
You will live as long as your life has meaning. I embarked on this educational journey to satisfy my life’s desire to learn. This opportunity crossed my path at the right moment and is supplying me with the chance to evaluate my ability to perform on the college level with like-minded people within the veteran’s community, where a person can always find support. All of the instructors and staff are helpful! Thank you for this possibility. – George, Coast Guard, Ocean City, NJ The New Jersey Clemente Course Veterans Initiative (CCVI) launched its second cohort on September 25, 2025, welcoming twenty-four veterans from every branch of service. The cohort includes eight women; and while most come from communities across New Jersey, the course has also drawn participants from New York. Part of the wider Clemente Veterans Initiative and operating in partnership with the New Jersey Council for the Humanities and Atlantic Cape Community College , the CCVI brings transformative humanities education to those who have served.
By Taylor Sims April 16, 2026
You may be familiar with Clemente's 30+ programs across the United States, but did you know that Clemente also has a long and rich history in Australia?
By Taylor Sims April 16, 2026
The Clemente Course in Worcester, MA continues to thrive through partnerships that bring the humanities to life in unexpected ways. Hosted by the Worcester Art Museum , the course benefits from inspiring classroom space and exclusive after-hours gallery tours led by Art History instructor Elissa Chase, the first of which took place in early October. A new partnership with Indigo Fire Studio in Watertown brought an especially hands-on dimension to learning this fall: the studio donated 25 pounds of clay and kiln space; and under the guidance of Mass Humanities' Sarah Carroll, students participated in a clay handbuilding class that wove together Philosophy of Art, Art History, and creative expression.
By Taylor Sims March 22, 2026
Amy Howard on how Clemente changed her life and her community.
By Taylor Sims December 17, 2025
25 years ago, The Clemente Course partnered with Illinois Humanities to offer free college-level humanities courses to low-income adults in Chicago through The Odyssey Project and Proyecto Odisea . Clemente Executive Director, Dr. Aaron Rosen, recently joined Dulce Maria Diaz (Odyssey Project alumna and founder of the SHE Gallery ) and Dr. Rebecca Amato (Director of Teaching and Learning, Illinois Humanities) on the Federation of State Humanities podcast Humanities= . In this episode, hear how this transformative program changes lives!
Black and white headshot of author Phil Klay
By Taylor Sims August 8, 2025
The Clemente Course in the Humanities is proud to announce writer and U.S. Marine Corps veteran Phil Klay as the first recipient of the Public Humanities Prize.
Show More